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Rescooped by Ursula O'Reilly Traynor from London Life Archive
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May 2017 LL Archive: London Life Theatre Choice The Pulverised @ Arcola Theatre

May 2017 LL Archive: London Life Theatre Choice The Pulverised @ Arcola Theatre | London Life Archive | Scoop.it

 

Ursula O'Reilly Traynor 's insight:
 The Pulverised
A Review 

 90 Minutes of crushing theatre, lifted by wry humour and a touch of the poetic. For it to work "like clockwork" it needed robotic, mechanical precision from the actors and, with bold choreography, they've nailed it, down to a fine art.. The set offers a multisensory experience in a forceful, but not pleasurable way. The ebb and flow of disturbing sounds - hard to place - invisible as the people themselves. Were there faintly acrid smells? Or was that my imagination? As an audience, we are forced to face what is happening, to accept our personal involvement in the process.The ugly truths of globalisation are right there,. inside our cosy product-heavy homes, inside our computers. When writing this, I can't avoid thinking of the human suffering involved in its assembly.

This is a play of persuasive polemic, imbued with perfect timing. I felt as if the small dull grey stones, reminiscent of those you find on graves in graveyards, clung accusingly to my city clothes. And the message is not lost in translation. Excellent ensemble acting, fast-paced, memorable monologues. In spite of those affectionately humourous touches, temporarily lightening the mood, the relentless, pointless, loveless, lifeless routines of desperate people prevailed. In this collection of linked life stories, of worker ants like fluttering moths around the globe, there are no winners. I left, feeling a cold air blow. Shattered. 

 Arcola Theatre
24 Ashwin Street, Dalston, London E8 3DL

The Pulverised

Until 27/05/2017

Monday - Saturday at 8pm. Saturday matinees at 3.30pm. No performances Sunday.
Ursula O'Reilly Traynor 's curator insight, May 5, 2017 7:27 AM

The Pulverised

A Review


90 Minutes of crushing theatre, lifted by wry humour and a touch of the poetic. For it to work "like clockwork" it needed robotic, mechanical precision from the actors and, with bold choreography, they've nailed it, down to a fine art.. The set offers a multisensory experience in a forceful, but not pleasurable way. The ebb and flow of disturbing sounds - hard to place - invisible as the people themselves. Were there faintly acrid smells? Or was that my imagination? As an audience, we are forced to face what is happening, to accept our personal involvement in the process.The ugly truths of globalisation are right there,. inside our cosy product-heavy homes, inside our computers. When writing this, I can't avoid thinking of the human suffering involved in its assembly.

    
This is a play of persuasive polemic, imbued with perfect timing. I felt as if the small dull grey stones, reminiscent of those you find on graves in graveyards, clung accusingly to my city clothes. And the message is not lost in translation. Excellent ensemble acting, fast-paced, memorable monologues. In spite of those affectionately humourous touches, temporarily lightening the mood, the relentless, pointless, loveless, lifeless routines of desperate people prevailed. In this collection of linked life stories, of worker ants like fluttering moths around the globe, there are no winners. I left, feeling a cold air blow. Shattered.            
             


Arcola Theatre

24 Ashwin Street, Dalston, London E8 3DL


The Pulverised


Until 27/05/2017


Monday - Saturday at 8pm. Saturday matinees at 3.30pm. No performances Sunday.

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LL archive March 2013/Romanian Cultural Institute Fashion Exhibition: The Rest Is Tomorrow

LL archive March 2013/Romanian Cultural Institute Fashion Exhibition: The Rest Is Tomorrow | London Life Archive | Scoop.it

13 - 22/02/2013 @ Romanian Cultural Institute

 

 

 

"Precise and refined. Resplendent. Decadent. Subtle and minimalist or eccentric and cutting-edge… Just a few ways of describing Romanian fashion in 2013. Nevertheless, the designers brought together in the exhibition "The Rest Is Tomorrow" prove it is easier to say what it is not than to describe what it is. They belong to different generations and have different aesthetic agendas and concerns, but are united in reviving and reimagining the creative potential of Romanian design, textiles and decorative arts. Their six brands have established individual identities, yet together, they open the way to a new philosophy, a neo-traditional outlook."

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