In the framework of the Festival of digital cultures, Transnumeriques (an event of Mons2015, European Capital of Culture), Transcultures, Media and Sound Arts Centre, launches 3 calls for proposals to participate to the 2015 edition of its Transnumeriques Awards – Art(s) and Network(s).
For this edition, Transcultures will focus its awards on the GIF and its animated images, (usually in a loop). Back to the earlier Web, the GIFs were very simple. In a late 2000s, a new generation of artists has emerged and promoted GIFs as a work of art in itself. Lately, GIF works have bee part of multiple online exhibitions, but also, exhibitions in contemporary art galleries. Transcultures is especially interested by the relation the art of GIF generates as meeting points of a certain culture which it became, if not the emblem, in any case the exercise of style…
3 deadlines for minimum 3 exhibitions in 2015. 3 deadlines pour minimum 3 exposition en 2015.
Kim Asendorf is a conceptual artist and works in a large area of media and digital related art. He loves to transport things from the internet into the real life and back. Kim did several net.art projects, often based on data taken from the internet or gathered from other individuals through the internet. He works very experimental with generative strategies, physical computing, data and glitch. Most of his works leads into installations, sculptures, visualizations and abstract geometric art, but also into applications, animated gifs or noisy sounds. In 2010 he coined the term “pixel sortingâ€, an algorithmic image manipulation process with unique results. Born in 1981 in Achim, near Bremen. Trained as an industrial electrician in 1999 at Daimler. Studied four semesters of computer science at Technical University of Bremen. From 2006 till 2011 he studied at the School of Art and Design Kassel with a focus on Media & Social Hacking, Net.art & New Media Art and Creative Coding.
Artiste du multimédia et des réseaux, Systaime (Michaël Borras) est le fondateur du mouvement French Trash Touch (créé en 1995, attesté en 2003), membre de l’internationale échantillonniste, il est un acteur important du réseau artistique alternatif parisien des années 2000, de l’art numérique, de l’art en réseau, du Mashup (video) et du Youtube Poop, il est également vidéo-jockey et commissaire d’exposition. En 2011, il est l’initiateur et le co-fondateur du SPAMM, musée des Arts super modernes, avec Thomas Cheneseau.
Pour le MashUp Film Festival, il nous propose une sélection de ses propres mashups et sélectionne, en exclusivité pour le festival, des œuvres de cette nouvelle génération d’artistes du SPAMM.
I'm Evan Wallace, a software developer finishing a Computer Science degree in my senior year at Brown University. In the past I've worked as an intern for Microsoft and Pixar developing in C++. However, most of my personal work revolves around web development and graphics. This site is where I put my side projects when I finish them.
Two hundred and sixteen colors is a visual project articulated through social participation on the Internet.
Draws a parallel between the modernist grid and the system of representation of digital images by pixels, explores the possibilities of social participation as a generator of abstract meaning through the study of the interaction of color, in a mass exquisite corpse way.
The project uses a secure web color palette of 8 bits which consists of 216 colors, the color system's native browser.
The ad generator is a generative artwork that explores how advertising uses and manipulates language. Words and semantic structures from real corporate slogans are remixed and randomized to generate invented slogans. These slogans are then paired with related images from Flickr, thereby generating fake advertisements on the fly. By remixing corporate slogans, I intend to show how the language of advertising is both deeply meaningful, in that it represents real cultural values and desires, and yet utterly meaningless in that these ideas have no relationship to the products being sold. In using the Flickr images, the piece explores the relationship between language and image, and how meaning is constructed by the juxtaposition of the two.
The Revolving Internet, Constant Dullaart 2010, Berlin / Amsterdam, internet rotisserie, as the internet turns http://constantdullaart.com, fully functioning google search page, rotating, interactive online web / net art...
#tweetscapes converts all German tweets into sounds and images - live and in real-time. Listen to #tweetscapes live around the clock on http://tweetscapes.de...
#tweetscapes addresses this question and offers a new way of accessing the social network. All German tweets* are converted into abstract sounds and pictures in real-time around the clock – not arbitrarily, but according to a fixed set of rules. In this way, listening can allow you to draw conclusions about the underlying data, which go beyond the specific content of individual tweets and demonstrate communicative relationships: The first flaring up of a tweet, the rapid dissemination of its echoes and retweets, the “essential sound” of a day marked by a certain topic – all of these aspects become intuitively comprehensible. Twitter becomes ambience; the user becomes part of the data stream.
We generate money by serving Google text advertisments on a network of hidden Websites. With this money we automatically buy Google shares. We buy Google via their own advertisment! Google eats itself - but in the end "we" own it!
Project
by UBERMORGEN.COM feat. Alessanndro Luidovicio vs. Paulo Cireo
Hans Bernhard, UBERMORGEN.COM Alessanndro Luidovicio lizvlx, UBERMORGEN.COM Paulo Cireo, [epidemiC]
Credits
Jason Hobbs, Information Architect Michael McGarry, Designer Marcus Neustetter, The Trinity Session Stephen Hobbs, The Trinity Session Robin Gommel, u-asta freiburg/Bildungs-Bus.de Benjamin Greschbach, u-asta freiburg/Bildungs-Bus.de Robin Sloan, EPIC Matt Thompson EPIC
En 1994, le chercheur et archiviste du net Denis Howe a créé EUROPa (Expanding Unidirectional Ring Of Pages), le premier exemple de ce que les pionniers de l’Internet finiraient par appeler webring, une communauté de sites organisés en structures circulaires autour d’un thème particulier. Les webrings étaient au sommet de leur popularité en 1998 grâce au succès de WebRing.com, et on les considère aujourd’hui comme des reliques du Web 1.0. ....
Paper.js is an open source vector graphics scripting framework that runs on top of the HTML5 Canvas. It offers a clean Scene Graph / Document Object Model and a lot of powerful functionality to create and work with vector graphics and bezier curves, all neatly wrapped up in a well designed, consistent and clean programming interface.
Joseph Hyde (en collaboration avec le développeur Phill Tew)
Je voulais réussir à faire quelque chose qui n’avait jamais été tenté auparavant, combiner Kinect avec la téléprésence, explique l’artiste. L’œuvre devait selon moi être tournée vers le public, être facilement compréhensible pour divertir. ...
Sketchpad is an open studio for creating beautiful animations with code, right in your browser.
Studio SketchPad was named after the two web technologies on which the application is built: the Sketch from Processing and the Pad from EtherPad. (The Studio metaphor used throughout the site was inspired by the writings of John Seely Brown, which I’ll save for another post.) EtherPad is used as a lightweight development environment for authoring (or co-authoring) small visual programs written in the Processing language.
aleph es un website dedicado a net.art, pensamiento y crítica de las nuevas prácticas en internet que se ha desarrollado entre 1997 y 2002, por iniciativa de la Asociación Cultural aleph. La dirección editorial ha corrido a cargo de José Luis Brea y la artística se debe a La Société Anonyme.
Agatha Appears was started as a pure art project, funny story about two young people who meet at night. The story combines principles of stage design, film montage and html documents, common internet stereotypes and net critics. It imitates the process of teleportation, but in the process of making Agatha appeared a new server
The original version was created in 1997, this version was reconstructed during net.art restoration project in 2008...
Mirrrroring.net is a portal into a fantasy from a new past that feels youthful, sad, and familiar. The site makes use of Animated GIFs, HTML, and WAVs, to create its surreal and vibrant pages.
The objective of allRGB is simple: To create images with one pixel for every rgb color (16777216); not one color missing, and not one color twice. Contribute
Lorna Mills has actively exhibited her work in both solo and group exhibitions since the early 1990's. A founding member of the Red Head Gallery, her practice has included obsessive Cibachrome printing, obsessive painting, obsessive super 8 film, and recently, obsessive digital video animations incorporated into restrained installation work.
Since 1995 we have been regularly producing and curating group projects, in which artists, writers and theoreticians have worked together on a common theme on the Net. The Internet has provided the pre-requisite for this in terms of both method and form.
Xcult is a cultural forum on the Internet focussing mainly on Swiss art production and international participation. We began our first activities on the Net in summer 1995, under the address The Thing.ch. Since then, we have published more than 100 projects and authors.
Comme chaque année au 1er Avril le web est en ébullition avec des blagues de plus en plus élaborées. Google commence en annonçant la sortie d'une version 8Bits de son service Google maps spécifiquement dédié à la NES.
To get content containing either thought or leadership enter:
To get content containing both thought and leadership enter:
To get content containing the expression thought leadership enter:
You can enter several keywords and you can refine them whenever you want. Our suggestion engine uses more signals but entering a few keywords here will rapidly give you great content to curate.
Your new post is loading...
![archives : aleph · [ net.art ] - José Luis Brea - 1997 --> 2002 | #Netart #Webart #Internetart | Scoop.it](https://img.scoop.it/HVq2VC-M0QS1VeLcsWmHNjl72eJkfbmt4t8yenImKBVvK0kTmF0xjctABnaLJIm9)
